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"You don't take a photograph, you make it." - Ansel Adams

Photography West Gallery - Fine Art Photography of the 20th century featuring the Ansel Adams Room, Brett Weston Room, The Women's Photography Alcove, Christopher Burkett, Paul Caponigro, Imogen Cunningham, Ruth Bernhard, Morley Baer, Roman Loranc, Howard Schatz, Don Worth, Butch Welch, Michael Gesinger, Carol Henry, Olivia Parker, Elizabeth Murray, and Dar Spain.

Fine art black and white landscape photography specializing in traditional black and white printing.

Dedicated to the life and work of Wynn Bullock, one of the 20th century's great American photographers.

The Bill Brandt Archive represents the Estate of Bill Brandt (1904-83). We produce limited editions of his work, create catalogs, create exhibitions and license the copyrights of the artist.

You don't take a photograph, you make it. - Ansel Adams

Passion. Vision. Photography. Whether it is catching life's little moments at that first birthday, a proposal at an outdoor concert venue, or capturing the essence of a home as though your client is standing there........... it is my desire to capture that moment for you. “You don't take a photograph, you make it.” ― Ansel Adams

Red's Meadow Resort & Pack Station, located in the scenic Sierra Nevada Mountains has cabins, motel rooms, store, cafe & horseback riding.

A technology based company driven by passion and powered by people. We are currently engineering a concept to make this Earth a smaller place.

This is the website description for artdirect.com

The (site) describes with visual detail the life and career of Classic Hollywood flm still photographer Ned Scott during the 1930s and 1940s. Included are Scotts photographic art, movies, friends, family life and commercial activities.

View great images from the history of photography, daguerreotypes to Ansel Adams. Features Americana, Civil War, Wild West, portraits, scenes, photojournalism, plus information on preserving photos

In a career that spanned six decades, Ansel Adams was at once America's foremost landscape photographer and one of its most respected environmentalists.

        "The single most important component of a camera is the twelve inches behind it."           Ansel Adams                                                                                                                     

”No tomas una fotografía. La haces.” - Ansel Adams-

You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved. ~Ansel Adams

A cyberspace odyssey: photographs, prose and principles of wilderness preservation.

В книжном магазине PhotoBooks вы сможете купить фотоальбомы Annie Leibovitz ,Helmut Newton, Henri Cartier-Bresson, Jeanloup Sieff, Richard Avedon, Sally Mann

Photos of different genres made ​​by photographers around the world.

Official website of watercolor artist Sara Steele author of Blueprints for Paradise and the annual Sara Steele Originals Wall calendar, featuring original works, limited edition prints, calendar and blog.

"Every experience is a form of exploration." -- Ansel Adams Adventure is the pursuit of the unknown. It is following your curiosity. But it is more than just what travel or the outdoors can provide; it can also be present in ordinary life.  If you can explore something new each day, you will live a rich and…

black and white photography, color photography and photography workshops by Lynn Radeka. Limited edition photography in the Ansel Adams and Edward Weston tradition. Photographs of American West landscapes, ghost towns and nature details - found in fine art collections throughout the world.

Bob Evans Bio Bob comes from a background of, perhaps one of the most creative professions, engineering. Some may think that this is not such an obvious background for an artist, however, all good engineers know that creating something from nothing gives you tremendous creative rush and oft times you find that the best engineers are frequently very accomplished musicians, artists and in my case, photographers.. Landscape Photography of Bob Evans A late comer to art photography Bob spent his early career working in engineering designing lifesciences equipment and then latterly moving into general management. During this time he and his family have lived in England, Florida, New York and latterly in Massachusetts. Bob travels frequently on business and always takes a camera with him as you never know what that perfect image will appear. During this time he had a very active interest in photography, probably coming from his father who is also an accomplished photographer. Over the years as he honed his expertise he found that what could best be loosely described as ‘landscape’ was his metier. Particularly in the abstraction from reality of key elements helped by almost exclusive use of black and white. Influences Early influences were Fay Godwin, a very accomplished english landscape photographer, sadly no longer with us. Her work evokes a deep empathy with the land and her keen eye and technical skill inspired him greatly. (http://en.wikipedia.org/wiki/Fay_Godwin). Ansel Adams whose images of Yosemite and the American West together with the deep technical knowledge and skill in producing the finished print and treating the entire process as a pre-visualised expression was particularly welcome. Bill Brandt and Weegee, where the technical element was secondary to the image and the emotions evoked by them. Similarly with Cartier Bresson and his ‘decisive moment’, although Bob has never particularly focused on people photographs, on the occasions he has you can most defiantly see there influences, as shown in the 'people' gallery. Photo’s by Bob Evans Building on that creative engineering background Bob continued to hone his his technical skill and artistic eye. An early Nikon fan, Bob’s first ‘proper’ camera was an Nikon FM, an excellent manual workhorse that was used extensively. Over the years Bob has used many other cameras. For those ‘decisive moment’ shots he always carried a Minox 35GT, usually loaded with Ilford HP5. For his main camera he rapidly moved beyond 35mm and whilst he was using film his preferred outfit was a Bronica ETRS and then moved to a Mamiya RB67 and a home made 5x4. All of his darkroom work was done at home with a full setup for black and white and colour and many happy hours spent in the darkroom. Ilford was the brand of choice for monochrome work usually FP4 for larger formats and HP5 for 35mm both developed in ID11. This background in the craft of photography certainly helped in the transition to digital and he now spends more time in front of the computer then he ever did in the darkroom! he now uses Nikon systems exclusively, keeping an old D100 for Infra Red images, which have always been an interest to him. Perhaps this is driven by the abstraction from reality aspect of Bobs work which is so prevalent in his work. Having an eye for an image that would tell a story Bob has a key guideline that he rigorously applies, no manipulation of the subject is allowed. Bob strongly believes in taking the subject ‘as-is’ no posing of subjects, moving items etc. He greatly admires photographers who are expert in that technique, however, for himself it is capturing the essential essence of the subject matter that is vital to him. Bob has had his work published in the national press in England covering news events as well as having several shows in both the UK and in New York and has recently decided to move onto the web. He is a keen member of the Blackstone Valley Art Association and Arts Worcester and as well as photography he is also a keen sculptor and abstract painter as shown in the art gallery.