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I fell in love with photography at age 15 when I got my first SLR camera for Christmas back in 1983. I wanted to be a National Geographic photographer but photography school was too expensive so I never pursued it professionally. In my 20's, I didn't have time to do much photography due to... well, life. At around age 32 I decided I wanted to be happy, finally, and I wanted to take control of my life instead of being controlled by my job. So I started getting back into my photography and practicing and shooting and reading everything I could get my hands on and teaching myself how to be a better photographer. So at age 34 I started my photography business. This was in 2002 about 6 months after 9/11. Probably not the best time to start a business, but for me it was now or never. It was the best decision I have ever made in my life! I put everything I had into it with the attitude that "I will make this happen!" Failure was not an option. To my surprise... three years later, I was shooting 50 weddings a year. The best part... I am happy! I love what I do, I love my life... What could be better than that? About My Photography I don't like to label my style of photography. I just go with what I am feeling from the bride and groom and what I am feeling from the wedding location. The light, the colors, the textures all play a part in how I shoot. I bring a relaxed, fun and confident attitude to my shoots. I get told by my clients that I am a joy to work with and I make them feel very comfortable in front of the camera. I get people at my weddings telling me, "Dude, your an awesome photographer!" I'm like, "You haven't even seen the pictures yet." "Don't need to. I can just tell by watching you that you're an awesome photographer. You never miss anything. You're just right on it." I get that a lot. It's kinda funny but I love hearing it. My Client Words "All I can say is WOW! I absolutely LOVE all of the photos that Dave took at our wedding. He definitely captured the joy and excitement of the day. If you are looking for an awesome photographer, Dave is the one." "Thanks Dave for doing an amazing job. We love the photos!" "Hi Dave! I just looked through my wedding album. It had been awhile since I had done that. Thank you so much for the BEAUTIFUL photos. :) We LOVE that we can remember our special day with your pictures." "Dave - thanks so much for shooting our wedding! We absolutely love em:) Kim" "AWESOME, AWESOME, AWESOME!!!!" "When we received our album, our mouths dropped in aww. For all of those who gave me the advise to get the best photographer, I listened and did." "Dave DiLauro is the most professional, creative, and artistic photographer that I've worked with. He is certainly the best at what he does. You can tell that he enjoys his profession and he is great at making you feel comfortable in front of the camera, which is a must."

Follow the step-by-step instructions to turn your broken English into native English. Model the teacher to find out how he did it and how you can do the same.

This is a story... Well, more of an interview and insight to an artist.  One who has a story covering more miles than your average musician but one who's journey started as all of ours do. By finding that almost sacred and symbiotic relationship with our instruments.    From one of his earliest memories James Kirby remembers strumming his guitar as his father played away at the keys of a piano and his brother held the rhythm on the drums. But the six string that he now comes to play so magnificently was not his first instrument. From the age of four, James was encouraged to play more classical themed instrumentation such as the Piano, Cello and Viola. Though in hindsight he expresses a thought of not being "as good" at these in comparison to the drums and (of course) the guitar, which were both introduced to him at the age of eight.   The man is a multi-instrumentalist and the refined method in which he now plays (knowingly or not) salutes his introduction to his earlier and more formal instrumentation.   And music, seemingly for him, was not just a stay at home pass time.  Even in earlier days James has been a part of choirs, orchestras and Jazz/Rock and Indie bands. All these styles, settings and genres aided his understanding and development in music... But they were aided too by his natural, almost perfect pitch ear for music and dynamics.    As life went on James came in to the world we all know. One of four letters that binds our lives to paper and restricts our dreams... Work. His music continued as an overlay to the 9-5 lifestyle with regular gigs 5 times a week between Kent and London. Exhausted and shattered from the fine lines between what he did (work) and what he was (a musician) the then suppressed flame of his passion burst beyond its confinement. It was time for for a change and a time to be all that he was. He pushed his music, utilising the 9-5 to get him where he needed.  His efforts were rewarded with a contract to play full time for 18 months in bars, clubs and restaurants in Spain and the middle east. With every note played it seemed he took another step forward and with his new found knowledge and experience a life on the road became a reality rather than a dream. The doors to the UK/Europe tour were opening.    Though playing for a living is James' dream he is a modest and realistic character. He of all people will express that it's not all bright lights and 5 stars... And most of all, it isn't easy.    "It's been an incredible experience! but to say I'm 'Living the dream' is a stretch from the imagination!   The only reason I managed to line up a UK tour off my own back was because I met such amazing people during my time away."    James has no management, no tour group, no investors and no label. He is a man with determination and talent and more so he is one who gives thanks to those who got him where he is  .   So I asked him how he sees today in contrast to how he was when he started out  "I never thought I would ever be doing my music full time, even looking back 2 years ago when I was sat working in an office."  And though there is a surprised and positive shock in the distance travelled to achieve his goals James then brought forward a side so many dismiss from the world of music. At what cost do achieving our dreams come at?  "I gave up everything, a secure job, a nice apartment, relationship and time with family, friends to follow a dream (excuse the cliche) I've had since as long as I can remember."    ladies and gentlemen,  James Kirkby holds a story so many don't see.  Here we have a man who I actually refuse to call a "Guitarist" even with all this hard work in practice and talent... James Kirby IS a Musician! He is a Composer and an Artist!  And he is his own. He has made what once may have seemed impossible an actual life.  Hard work, determination and as you have read, sacrifice.  Admittedly it is not a life of glamour, more so one of a diary, equipment and petrol receipts.   It is a world James himself built and though he gives great thanks and appreciation to those along the way, if you look deep into the core of what he has done, he has done it alone.    This man alone (to me) separates those who want to be musicians from those who actually are! And he is a beacon to those who hold the passion of music as close as each and every drawing breath, that there is a life that can be achieved. And you don't need to bombard labels to do it nor sell your soul. So drop the glam, roll up your sleeves,  definitely drop the ego and get some good old hard graft in.  Throughout history the artists (within and outside the world of music) worth remembering are those who ignored the quick fixes... And James Kirby dare I say... Has right to stand amongst them. If not only for his talent but how he has brought his talent to others.   Again on a personal note his talent and journey always give me pride simply through the fact we share our names.    And there is more to come from James in the near future, from collaborations with other artists to his  own EP and album... And not forgetting another self made European Tour.  So I implore you to look him up, to listen and see him do what he does.  Because by the time he's restrung his guitars, loaded up his equipment he'll be off again effortlessly entertaining the world he's made himself.

Bob Evans Bio Bob comes from a background of, perhaps one of the most creative professions, engineering. Some may think that this is not such an obvious background for an artist, however, all good engineers know that creating something from nothing gives you tremendous creative rush and oft times you find that the best engineers are frequently very accomplished musicians, artists and in my case, photographers.. Landscape Photography of Bob Evans A late comer to art photography Bob spent his early career working in engineering designing lifesciences equipment and then latterly moving into general management. During this time he and his family have lived in England, Florida, New York and latterly in Massachusetts. Bob travels frequently on business and always takes a camera with him as you never know what that perfect image will appear. During this time he had a very active interest in photography, probably coming from his father who is also an accomplished photographer. Over the years as he honed his expertise he found that what could best be loosely described as ‘landscape’ was his metier. Particularly in the abstraction from reality of key elements helped by almost exclusive use of black and white. Influences Early influences were Fay Godwin, a very accomplished english landscape photographer, sadly no longer with us. Her work evokes a deep empathy with the land and her keen eye and technical skill inspired him greatly. (http://en.wikipedia.org/wiki/Fay_Godwin). Ansel Adams whose images of Yosemite and the American West together with the deep technical knowledge and skill in producing the finished print and treating the entire process as a pre-visualised expression was particularly welcome. Bill Brandt and Weegee, where the technical element was secondary to the image and the emotions evoked by them. Similarly with Cartier Bresson and his ‘decisive moment’, although Bob has never particularly focused on people photographs, on the occasions he has you can most defiantly see there influences, as shown in the 'people' gallery. Photo’s by Bob Evans Building on that creative engineering background Bob continued to hone his his technical skill and artistic eye. An early Nikon fan, Bob’s first ‘proper’ camera was an Nikon FM, an excellent manual workhorse that was used extensively. Over the years Bob has used many other cameras. For those ‘decisive moment’ shots he always carried a Minox 35GT, usually loaded with Ilford HP5. For his main camera he rapidly moved beyond 35mm and whilst he was using film his preferred outfit was a Bronica ETRS and then moved to a Mamiya RB67 and a home made 5x4. All of his darkroom work was done at home with a full setup for black and white and colour and many happy hours spent in the darkroom. Ilford was the brand of choice for monochrome work usually FP4 for larger formats and HP5 for 35mm both developed in ID11. This background in the craft of photography certainly helped in the transition to digital and he now spends more time in front of the computer then he ever did in the darkroom! he now uses Nikon systems exclusively, keeping an old D100 for Infra Red images, which have always been an interest to him. Perhaps this is driven by the abstraction from reality aspect of Bobs work which is so prevalent in his work. Having an eye for an image that would tell a story Bob has a key guideline that he rigorously applies, no manipulation of the subject is allowed. Bob strongly believes in taking the subject ‘as-is’ no posing of subjects, moving items etc. He greatly admires photographers who are expert in that technique, however, for himself it is capturing the essential essence of the subject matter that is vital to him. Bob has had his work published in the national press in England covering news events as well as having several shows in both the UK and in New York and has recently decided to move onto the web. He is a keen member of the Blackstone Valley Art Association and Arts Worcester and as well as photography he is also a keen sculptor and abstract painter as shown in the art gallery.

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Title: Fate of the Tearling Author: Erika Johansen Publisher: Harper Date Published: November 29, 2016 Where I got the book: ARC won in a Goodreads giveaway *this is no way affects my review* Where You Can Get Book: AMAZON Synopsis from Goodreads: In less than a year, Kelsea Glynn has grown from an awkward teenager into a powerful monarch and a visionary leader. And as she has come into her own as the Queen of the Tearling, she has transformed her realm. But in her quest to end corruption and restore justice, she has made many enemies - chief among them the evil and feared Red Queen, who ordered the armies of Mortmesne to march against the Tear and crush them. To protect her people from such a devastating invasion, Kelsea did the unthinkable - naming the Mace, the trusted head of her personal guards, Regent in her place, she surrendered herself and her magical sapphires to her enemy. But the Mace will not rest until he and his men rescue their sovereign from her prison in Mortmesne. So, the endgame has begun and the fate of Queen Kelsea - and the Tearling itself - will be revealed... With The Fate of the Tearling, Erika Johansen draws her unforgettable story full of magic and adventure to a thrilling close. I really enjoyed the first two books of The Queen of the Tearling Trilogy and the way they married the feel of an epic fantasy novel with dystopian elements. I love Kelsea Raleigh--the way she's portrayed and her believable growth from altruistic young woman to someone who's willing to put aside their morals to do what needs to be done. There's a progressively dark feeling to these novels. I still love the setting. We remain in the world Johansen built, but its beginnings are fully fleshed out in The Fate of the Tearling. We get to see how their society used to be run and where everything went wrong. Seeing more of Mortmesne was particularly interesting. I have always enjoyed Johansen's ability to give you something you have a preconceived notion of and then tear it out from under you. She frequently makes you think of things in a new way, and the Mortmesne plot lines are a good example of that. I wasn't a fan of The Fate of the Tearling's storyline, however.. I liked where the story was heading when the second book ended but found myself frequently upset about how she navigated the plot in this book. I thought the Red Queen's redemption arc was completely off the wall. It felt so out of character for the villain we had come to know. I felt that they broke her, in a sense. She came off weak. I enjoyed learning more about Row. I liked that he was given a face and backstory, but the confrontation with him felt highly unsatisfying. I felt the narrative had difficulty carrying the multiple points of view from so many different characters. I found myself missing the rapport and witty banter between Kelsea and her guards. It took away a big part of what I enjoyed in previous books. I also felt there was too much of the dystopian element in this book. I liked getting answers and seeing a more complete history of the world, but I had such a hard time keeping track of everything that it was hard to enjoy the story. There were just too many varying points of view, and it made the narrative feel inconsistent. Another thing I disliked were the new developments in Kelsea and Pen's relationship. Although I don't require romance to enjoy a story, it's a big draw for me. I had liked where their relationship was heading, and the events of this book were frustrating with regards to them. The Fate of the Tearling left me wishing she had written a prequel instead, so I could have fully immersed myself in the characters and storylines I had come to love throughout the series. I detested the ending. It felt as though she took everything she had spent three entire books building and blew it all apart. I like that she had the courage to go in that direction but the narrative turn seemed weak. It felt like a cop out and I found myself a little confused, wondering what precisely had happened. I wish the series had ended with a little more hope. Perhaps that isn't realistic, but I don't really read fiction for realism. All in all, I did enjoy the book and it was largely well written. I just wish that the narrative had been more consistent, that more page time could have been dedicated to the storylines and characters of the present, and that the ending had been more satisfying.