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This is a story... Well, more of an interview and insight to an artist.  One who has a story covering more miles than your average musician but one who's journey started as all of ours do. By finding that almost sacred and symbiotic relationship with our instruments.    From one of his earliest memories James Kirby remembers strumming his guitar as his father played away at the keys of a piano and his brother held the rhythm on the drums. But the six string that he now comes to play so magnificently was not his first instrument. From the age of four, James was encouraged to play more classical themed instrumentation such as the Piano, Cello and Viola. Though in hindsight he expresses a thought of not being "as good" at these in comparison to the drums and (of course) the guitar, which were both introduced to him at the age of eight.   The man is a multi-instrumentalist and the refined method in which he now plays (knowingly or not) salutes his introduction to his earlier and more formal instrumentation.   And music, seemingly for him, was not just a stay at home pass time.  Even in earlier days James has been a part of choirs, orchestras and Jazz/Rock and Indie bands. All these styles, settings and genres aided his understanding and development in music... But they were aided too by his natural, almost perfect pitch ear for music and dynamics.    As life went on James came in to the world we all know. One of four letters that binds our lives to paper and restricts our dreams... Work. His music continued as an overlay to the 9-5 lifestyle with regular gigs 5 times a week between Kent and London. Exhausted and shattered from the fine lines between what he did (work) and what he was (a musician) the then suppressed flame of his passion burst beyond its confinement. It was time for for a change and a time to be all that he was. He pushed his music, utilising the 9-5 to get him where he needed.  His efforts were rewarded with a contract to play full time for 18 months in bars, clubs and restaurants in Spain and the middle east. With every note played it seemed he took another step forward and with his new found knowledge and experience a life on the road became a reality rather than a dream. The doors to the UK/Europe tour were opening.    Though playing for a living is James' dream he is a modest and realistic character. He of all people will express that it's not all bright lights and 5 stars... And most of all, it isn't easy.    "It's been an incredible experience! but to say I'm 'Living the dream' is a stretch from the imagination!   The only reason I managed to line up a UK tour off my own back was because I met such amazing people during my time away."    James has no management, no tour group, no investors and no label. He is a man with determination and talent and more so he is one who gives thanks to those who got him where he is  .   So I asked him how he sees today in contrast to how he was when he started out  "I never thought I would ever be doing my music full time, even looking back 2 years ago when I was sat working in an office."  And though there is a surprised and positive shock in the distance travelled to achieve his goals James then brought forward a side so many dismiss from the world of music. At what cost do achieving our dreams come at?  "I gave up everything, a secure job, a nice apartment, relationship and time with family, friends to follow a dream (excuse the cliche) I've had since as long as I can remember."    ladies and gentlemen,  James Kirkby holds a story so many don't see.  Here we have a man who I actually refuse to call a "Guitarist" even with all this hard work in practice and talent... James Kirby IS a Musician! He is a Composer and an Artist!  And he is his own. He has made what once may have seemed impossible an actual life.  Hard work, determination and as you have read, sacrifice.  Admittedly it is not a life of glamour, more so one of a diary, equipment and petrol receipts.   It is a world James himself built and though he gives great thanks and appreciation to those along the way, if you look deep into the core of what he has done, he has done it alone.    This man alone (to me) separates those who want to be musicians from those who actually are! And he is a beacon to those who hold the passion of music as close as each and every drawing breath, that there is a life that can be achieved. And you don't need to bombard labels to do it nor sell your soul. So drop the glam, roll up your sleeves,  definitely drop the ego and get some good old hard graft in.  Throughout history the artists (within and outside the world of music) worth remembering are those who ignored the quick fixes... And James Kirby dare I say... Has right to stand amongst them. If not only for his talent but how he has brought his talent to others.   Again on a personal note his talent and journey always give me pride simply through the fact we share our names.    And there is more to come from James in the near future, from collaborations with other artists to his  own EP and album... And not forgetting another self made European Tour.  So I implore you to look him up, to listen and see him do what he does.  Because by the time he's restrung his guitars, loaded up his equipment he'll be off again effortlessly entertaining the world he's made himself.

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This website is a default website setup for TYPO3. You can use it to demonstrate the basic features of the TYPO3 Content Management System, but you are also welcome to use it as a basis for your own website projects. Please have a look at how it works and how it is structured. In building this package, we have tried to combine a lot of best practices. Feel free to use these structures and use elements of it for your own way of working.

web and graphic designer مصمم محترف 10 سنوات خبرة في مجال الجرافيك و المطبوعات و تصميم المواقع الالكترونية انا خالد على مصري الجنيسة لدي اقامة قابلة للتحويل مصمم محترف 10 سنوات خبرة في مجال الجرافيك و المطبوعات و تصميم المواقع الالكترونية اعمل على برامج Photoshop Adobe Illustraitor Adobe Indesign ِAFTER EFFECT EDITING HTML CSS Jquery JAVA Script codes Adobe DreamWeaver Action Script editing codes UX/UI capabilities and experience in creating user centric designs optimization (SEO) كما يمكنني تصميم والابداع في جميع امور الطباعة و يمكنني ادارة قسم التصميم و ادارة المعارض و الاتفاق مع العملاء و ادارة جميع الامور المتعلقة بالشركة كما ان لدى خبرة كبيرة في التسويق عبر مواقع التواصل الاجتماعي و اخر عمل لي هو مجموعة مقاهي ديرة السعودية و لقد كنت المسؤول الاول عن جميع انواع الطباعة و التسويق لهذه المقاهي و ايضا سوق بسطة ماركت التابع للغرفة التجارية بجدة و للاطلاع على جميع اعمالي الرجاء الاطلاع على الموقع الالكتروني الخاص بي ENG.KHALED ALI

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This website is a default website setup for TYPO3. You can use it to demonstrate the basic features of the TYPO3 Content Management System, but you are also welcome to use it as a basis for your own website projects. Please have a look at how it works and how it is structured. In building this package, we have tried to combine a lot of best practices. Feel free to use these structures and use elements of it for your own way of working.

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This website is a default website setup for TYPO3. You can use it to demonstrate the basic features of the TYPO3 Content Management System, but you are also welcome to use it as a basis for your own website projects. Please have a look at how it works and how it is structured. In building this package, we have tried to combine a lot of best practices. Feel free to use these structures and use elements of it for your own way of working.

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Discover the Second Edition of the best-seller by Mike Vardy & Jeremy Roberts, now based on the re-branded version of Asana thanks to Bastien Siebman! Two great offers. $19 for the PDF of Do Better With Asana. $25 for the PDF of Do Better with Asana + 11 amazing Premium templates for free from the All-in-One Bundle from Templana (links on the last page). Introduction. This book is the culmination of months of communication and collaboration and combined years of productivity specialization. Words traveled from the Northern Hemisphere to the Southern Hemisphere and back countless times, and what you’re reading right now is the end result. But the real question is, why did we come together to work on this project? Because we love what Asana has allowed us to do over the years, and we want to share how you can get the most out of it—right from the time you use it. One of the things we’ve heard about Asana on our websites and through various conversations we have online is that it can be too complex. For some, that will be true. For others, Asana will seem like a breath of fresh air compared to what they’ve used in the past (Microsoft Project anyone?). The two of us wanted to create something that would help those who struggle with getting out of the gate with Asana as well as deliver tips, tricks, and tactics for more seasoned users so that they can get even more out of Asana. We’ve also heard that Asana is great for team task management but not for individual work. It may seem that way from the onset, but Asana is useful for one person operations just as much as it is for very large teams. Do Better With Asana aims to dispel all of the myths that surround Asana, including the myth that Asana just isn’t designed for personal use. Within these pages you’ll learn about the ways you can leverage Asana, no matter what your organizational structure and workflow preferences are. Asana is truly adaptable, and Do Better With Asana will demonstrate just how adaptable it is. Since this guide is delivered electronically, we have the ability to update it to make it more useful. This is key considering that Asana is in active development, with new features being added and other changes being made on an ongoing basis. We will say that we won’t be updating this guide every time an update is made because they happen very often (Asana iterate on the product in “episodes” lasting approximately four months with minor release generally throughout). We just don’t talk the talk in Do Better With Asana; we walk the walk. Both of us are active Asana users. We’ve been using Asana since its release. Jeremy uses Asana with several teams, and Mike uses it to communicate and collaborate with clients and Productivityist team members all over the world. Mike has even paid a visit to the Asana offices to get a closer look at what the team is building there. But it doesn’t stop there with us. This entire program was built using Asana and tools that integrate with Asana. Since we live in opposite regions of the globe, we used Slack for communication in real-time. Asana is linked to Slack so we can track our activity in our Do Better With Asana Workspace. We used Asana to manage this project from its first steps to the creation process and into the launch phase and beyond. We also leveraged Google Drive’s integration with Asana to share the text for each section of the book and grabbed research links using the Google Chrome Extension in order to get the links into Asana. Every conceivable aspect of the Do Better With Asana product began and ended in Asana. So if you’ve been looking to get more out of Asana–whether you have just added it to your productivity toolbox or have been using it for a lengthy period of time—this guide is going to be a valuable resource. We’re passionate about productivity, and we’re passionate about Asana. We wanted to distill those passions into something that will help people just like you power up their productivity and level up their lives as a result. We know Asana can help you do that...and Do Better With Asana will help you do that even better. Table of contents. The Basics. Which Asana is Right for You? Profile Settings. Everyday Use. Workspaces. My Tasks. Accessibility and Adoption. Tasks, Sub Tasks, Projects and Views. Collaboration. Asana Inbox. Common Use Cases and Scenarios. Calendar. Personal Projects. Brainstorming. Mobility. Advanced Techniques. Organizations. Project and Task Templates. Divide and Conquer. Tracking Dashboards. Third Party Apps and Integrations. Productivity Methodologies in Practice. Contact us at [email protected] if you have any question!

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This website is a default website setup for TYPO3. You can use it to demonstrate the basic features of the TYPO3 Content Management System, but you are also welcome to use it as a basis for your own website projects. Please have a look at how it works and how it is structured. In building this package, we have tried to combine a lot of best practices. Feel free to use these structures and use elements of it for your own way of working.

This website is a default website setup for TYPO3. You can use it to demonstrate the basic features of the TYPO3 Content Management System, but you are also welcome to use it as a basis for your own website projects. Please have a look at how it works and how it is structured. In building this package, we have tried to combine a lot of best practices. Feel free to use these structures and use elements of it for your own way of working.

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This website is a default website setup for TYPO3. You can use it to demonstrate the basic features of the TYPO3 Content Management System, but you are also welcome to use it as a basis for your own website projects. Please have a look at how it works and how it is structured. In building this package, we have tried to combine a lot of best practices. Feel free to use these structures and use elements of it for your own way of working.

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SMPTE® 2017 Annual Technical Conference & Exhibition, Oct. 24-26 in Hollywood: Renowned Media and Entertainment Technology Event Will Follow Daylong SMPTE 2017 Symposium Focusing on AI and Machine Learning in Digital Media Creation SMPTE, the organization whose standards work has supported a century of advances in entertainment technology, has opened registration for the SMPTE 2017 Annual Technical Conference & Exhibition (SMPTE 2017), Oct. 24-26 in Hollywood, California, as well as for the SMPTE 2017 Symposium preceding the conference on Oct. 23. Early bird rates are available now through Aug. 12. SMPTE’s Annual Technical Conference & Exhibition is the world’s premier forum for the exploration of media and entertainment technology. Taking place at the Hollywood & Highland Center, the event will fill two exhibit halls and multiple session rooms. SMPTE 2017 will also feature a beer garden, Broadcast Beat’s SMPTE 2017 Live! Studio, and a series of special events culminating with the Annual SMPTE Awards Gala hosted in the Loews Hollywood Hotel’s Hollywood Ballroom on the evening of Thursday, Oct. 26. “The rapid pace of change in the media and entertainment industry makes the SMPTE Annual Conference & Exhibition a critically important event for anyone wishing to experience and understand the latest advances in motion-imaging and audio,” said SMPTE Education Vice President Richard Welsh. “For four days in October, Hollywood will be the place to learn about the research, standards, technologies, and techniques that are enabling amazing new experiences for media consumers worldwide.” Titled “Artificial Intelligence (AI) and Machine Learning in Digital Media Creation: The Promise, The Reality, and The (Scary?) Future,” the day-long SMPTE 2017 Symposium on Oct. 23 will examine how these technologies have gained significant traction in the creation of digital media. Presenters will offer practical use cases throught the production chain — including story and script development, music composition, contextual analysis of dailies, edit preparation, imaging processing, visual effects (VXF) preparation, and audience engagement, along with discoverability and distribution of content. Experts and visionaries in the field will assist attendees in establishing a firm foundation for understanding a technology which may eventually disrupt the media and entertainment industry. The Symposium is included with select conference packages or as an add-on or stand-alone registration. The SMPTE 2017 program committee is chaired by SMPTE Fellows Paul Chapman, senior vice president of technology at Fotokem; Thomas Edwards, vice president of technology and engineering at FOX; and Sara Kudrle, product marketing manager at Imagine Communications. Technical conference sessions will address topics including advances in display technologies; cinema processing and projection technology; larger color and dynamic range; compression; content management and storage, restoration, and preservation; content security; virtual, augmented, and mixed reality (VR, AR, and MR); media infrastructure (SMPTE ST 2110) and distribution; image acquisition and processing; new techniques in audio; quality assurance and monitoring;; workflow systems management; cloud technologies; and encouraging diversity technology. The conference and exhibition schedule includes the usual wealth of technical sessions and networking opportunities, as well as an array of special events. Monday, Oct. 23 • The SMPTE 2017 Symposium will take place throughout the day. SMPTE and Hollywood Professional Association (HPA) Women In Post will present the annual Women in Technology Luncheon, which provides guests the opportunity to discuss ways to increase diversity in the media and entertainment workplace. Tickets are available for purchase separately or as an add-on with conference registration. • The SMPTE-HPA Student Film Festival will highlight the creative use of technology to support the art and craft of storytelling. Screenings will showcase outstanding short films submitted by students from around the world. Tickets are available separately or as an add-on with conference registration. Tickets are free for students, and a donation to the SMPTE Education Fund is suggested for other attendees. Tuesday, Oct. 24 • Day one of the SMPTE 2017 technical conference sessions will feature the opening keynote. • The Ray Dolby and Centennial Exhibit Halls will open at noon. • The Fellows Luncheon, open exclusively to SMPTE Fellows and Life Fellows, will honor the industry leaders newly elevated to Fellow status. SMPTE Fellows who wish to attend must select tickets with their conference registration. • The SMPTE Annual General Membership Meeting is open to all conference attendees, and no separate ticket is required. • The Oktoberfest Reception in the Centennial Exhibit Hall is open to all attendees, and no separate ticket is required. Wednesday, Oct. 25 • Day two of the SMPTE 2017 technical conference sessions will extend the entire day. from 8:30 a.m. to 4:45 p.m. • The Ray Dolby and Centennial Exhibit Halls will open at 10:00 a.m., and an evening reception in the Ray Dolby Exhibit Hall is open to all conference attendees from 5:00-7:00 p.m.., No separate ticket is required. Thursday, Oct. 26 • Day three of SMPTE 2017 technical conference sessions will extend the entire day, with both exhibit halls open from 10:00 a.m. to 2:00 p.m. • The Annual SMPTE Awards Gala will welcome ticketed guests on the red carpet and treat them to a reception and dinner  honoring industry leaders. Tickets are available for purchase separately or as an add-on with conference registration. Tickets for many SMPTE 2017 events are limited, and early registration is encouraged. Early-bird registration pricing is available now through Aug. 12. Attendees also can save by taking advantage of the SMPTE group room rate at the Loews Hollywood Hotel, where a limited block of reduced-rate rooms will be available through Sept. 20, or while rooms remain available. In addition to registering, prospective exhibitors may still secure prime exhibit space now, and sponsorship opportunities are available. Further information about SMPTE 2017 and the SMPTE 2017 Symposium is available at www.smpte2017.org. Additional information about SMPTE is available at www.smpte.org. For more than a century, the people of SMPTE (pronounced “simp-tee”) have sorted out the details of many significant advances in media and entertainment technology, from the introduction of “talkies” and color television to HD and UHD (4K, 8K) TV. Since its founding in 1916, SMPTE has received an Oscar® and multiple Emmy® Awards for its work in advancing moving-imagery engineering across the industry. SMPTE has developed thousands of standards, recommended practices, and engineering guidelines, more than 800 of which are currently in force today. SMPTE Time Code™ and the ubiquitous SMPTE Color Bars™ are just two examples of SMPTE’s notable work. As it enters its second century, SMPTE is shaping the next generation of standards and providing education for the industry to ensure interoperability as the industry evolves further into IT- and IP-based workflows. SMPTE’s global membership today includes more than 7,000 members: motion-imaging executives, creatives, technologists, researchers, and students who volunteer their time and expertise to SMPTE’s standards development and educational initiatives. A partnership with the Hollywood Professional Association (HPA) connects SMPTE and its membership with the businesses and individuals who support the creation and finishing of media content. Information on joining SMPTE is available at www.smpte.org/join. All trademarks appearing herein are the property of their respective owners.

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MEIT is a leading company in the field of information technology supplies full integrated solutions through variable chains of products and applications consulting services developed by adopting best technologies through different partnerships with globally well known brands such as Oracle and Microsoft, following the best paths in introduction and development approved and adopted from the software engineering institute (SEI) in USA, the company is already a (CMMI) certified, which is providing, confidence, and reliability to our products and services.

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This website is a default website setup for TYPO3. You can use it to demonstrate the basic features of the TYPO3 Content Management System, but you are also welcome to use it as a basis for your own website projects. Please have a look at how it works and how it is structured. In building this package, we have tried to combine a lot of best practices. Feel free to use these structures and use elements of it for your own way of working.

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This website is a default website setup for TYPO3. You can use it to demonstrate the basic features of the TYPO3 Content Management System, but you are also welcome to use it as a basis for your own website projects. Please have a look at how it works and how it is structured. In building this package, we have tried to combine a lot of best practices. Feel free to use these structures and use elements of it for your own way of working.