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"Ed is a great, soulful, swinging underrated player deserving of wider recognition." - Bill Milkowski 1/13/11" "An expressive instrumentalist, Cherry has a hip, melodic approach that is a refreshing contrast to guitarists who frequently resort to playing 'finger music', the execution of rapid streams of notes that serve no musical purpose other than to fill space"- Jim Ferguson: Jazztimes - 06/02 "Particularly dazzling - Cherry's guitar had the young bar crowd dancing" - Kay Cordtz : blues review-5/10 "But this album’s ace in the hole is guitarist Ed Cherry. “Blues drenched” is not a cliché when applied to Cherry. Every time he solos, a rapt calm descends and a timeless story begins, familiar yet still a revelation when told with blues truth." - from 10/9/12 JazzTimes review of virginia mayhew recording: "mary lou williams-the next 100years" "Dear Ed Recently I have heard you featured on WBGO and really took note... Great Expression, Ed... I Hear You, not just good jazz guitar or good musical vocabulary but you... That is a Deeper Accomplishment as far as I am concerned... when Who you are Speaks through the skill and development... Thank you Peace, Jeffrey Mironov" new york studio guitarist Born in New Haven,Connecticut, Ed moved to New York in 1978 to play guitar with Dizzy Gillespie from 1978 to 1992 performing in Gillespie's quartet, big band and with The United Nation Orchestra which recorded the Grammy Award-winning Live at Royal Festival Hall (Enja). Gillespie died in 1993, and Cherry released his first recording as a leader, 'First Take' (Groovin' High). That same year, Ed recorded with Paquito D'Riveras' small group and recorded "Havana Cafe" (Chesky Records). Ed also worked with composer/saxophonist Henry Threadgill for two years and recorded  three cds with Henry's 'Very Very Circus' group. In 1995, Cherry released his second project as a solo artist, entitled A Second Look (Groovin' High). During that same period Ed worked with Hammond organist John Patton recording three critically acclaimed cds with Patton's quartet-'Blue Planet Man','Minor Swing' and 'This ones for Jah'(DIW). From 1997 to 1998, Cherry worked in Roy Hargrove's “Crisol” Latin jazz band, which performed in Havana, Cuba. During this same period, he also worked w/baritone saxophonist, Hamiett Bluiett, recording  'With Eyes Wide Open' on Justin-Time records. In 2001, Cherry toured Europe for the first time with his own group. He also released his latest CD, The Spirit Speaks on the Canadian Justin Time label, inspired by the great jazz organist Jimmy Smith with whom he had also recently worked.Ed was asked to perform at the 'Vodaphone Madarao Jazz festival' in 2002 in Madarao Japan with his quartet featuring trumpeter Jon Faddis. In 2003 Ed performed with his quartet at Detroit Jazz Festival.  Right now,Ed is a member of vocalist Paula West quartet as well as leading his own trio. In addition to his stellar work as a sideman and as a critically acclaimed leader, Ed Cherry also has impressive credentials as a music educator. He taught guitar at Essex Community College in Newark, NJ from 1995 to 1996, and at the Henry Street Settlement in New York City from 1996 to 1997. He was also a faculty member at Montclair State University, School of Fine and Performing Arts for J.O.Y. (Jazz Opportunity for Youth).Ed is currently on staff at 'jazzmobile' here NYC.Ed's most current recording "it's all good" is available through  www.posi-tone.com    Recently Ed has been recording for L.A Jazz Juggernaught, Posi-Tone. His new release "Soul Tree" was just released to rave reviews. Critic's have called the recording....He currently has a winter tour coming up in France, Poland and will be a Lecturer at 2016 Festi-Jazz in St. Cezaire. Selected discography: Ed Cherry-first take - Ed Cherry-a second look - Ed Cherry-the spirits speak - Yoron Israel and organic-basic traneing - Hamiett Bluiett-with eyes wide open - Tribute to Grant Green - Mark Weinstein-three deuces - Paquito D'Rivera-havana cafe - Dizzy Gillespie-live in montreaux-1980 - Dizzy Gillespie-live at royal festival hall - Dizzy Gillespie-live at blues alley - Jon Faddis-hornucopia - Henry Threadgill-makin'....a move - Jared Gold-supersonic... Ed Cherry-it's all good * new release for 2016 on posi-tone records "soultree"  http://www.amazon.com/Soul-Tree-Ed-Cherry/dp/B019ZXS9ZU/ref=sr_1_1?s=music&ie=UTF8&qid=1453546461&sr=1-1&keywords=ed+cherry   CLICK HERE downbeat 'blindfold test' -march 2013 CLICK HERE Listed in: " The Great Jazz Guitarists-The Ultimate Guide" - Scott Yanow interview with 'jazz guitar life' http://www.jazzguitarlife.com/ed-cherry-interview-with-jazz-guitar-life/      

Solomon Weisbard: New York-based lighting designer for live performance, theater, dance, opera, music, and installation. Solomon takes a fiercely collaborative approach to the creative process. Much like the performance itself, the making of profound work happens only when a group of people experience something significant together. Therefore presence, observation, and immediacy deeply influence his work. He believes in the power of design to slice, sculpt, and catapult a performance. Designers are largely responsible for a thrilling and moving relationship between audience and performer. Frequently this means stepping back and allowing the words or movement to own the space, but often they must find an extremity that drives the experience beneath the skin. Selected designs: Macbeth (Arden); Rite of Spring (Martha Graham Dance Co.); The Soldier’s Tale (Yale / Carnegie Hall); Stones in his Pockets (Yale Rep); The Coronation of Poppea (Princeton Opera); Cherry Smoke (Working Theater); The Film Society (Keen / Theatre Row); I Came to Look for You on Tuesday (La Mama); White’s Lies (New World Stages); Christina Anderson’s Hollow Roots (Public Theatre - Under the Radar); Cedars, Lion in Winter, A Class Act (Berkshire Theatre Festival); Jitney, A Christmas Carol (Drammy Nomination, Portland Playhouse); What the Butler Saw, Cinderella / Cendrillon (Univ. of Rochester); Faust, The Barber of Seville (Tri-Cities Opera); What of the Night, St. Joan of the Stockyards (Barnard College); 9 to 5, A Chorus Line, All Shook Up (Merry-Go-Round Playhouse); Frank London’s A Night in the Old Marketplace (international tour). His work in dance and movement has led him to create original full-length pieces with Alethea Adsitt, Jennifer Archibald, Ximena Garnica / Leimay, Lane Gifford, Ofelia Loret de Mola, Patrick Lovejoy, Stefanie Nelson, The Nerve Tank (as resident designer), Waxfactory, and four major works as associate set designer with Bill T Jones. Solomon was an adjunct faculty member and guest artist in lighting design at University of Rochester in Fall 2014. He received his BFA with honors from Ithaca College and his MFA from the Yale School of Drama. He is New York based and an Oregon native.

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